Thursday, April 28, 2011

Mega Movie Maker


Steven Spielberg, born in 1946, American motion-picture director, producer, and executive, whose movies feature action, suspense, special-effects wizardry, and memorable stories. Spielberg films such as Jaws (1975), E.T.—The Extra-Terrestrial (1982), Jurassic Park(1993), and Schindler’s List (1993) enjoyed enormous commercial success and earned recognition for their craftsmanship.
Spielberg was born in Cincinnati, Ohio, and educated at California State College at Long Beach (now California State University at Long Beach). He began making movies at the age of 12, and by the time he left college he had at least eight amateur works to his credit. Spielberg’s short film Amblin (1968) came to the attention of Universal Pictures, which signed him to a seven-year contract.
Spielberg’s earliest commercial efforts were television movies, among them Duel (1971), a suspense film that brought him wider recognition. Sugarland Express (1974), Spielberg’s first full-length feature film, was an expertly crafted variant on the road picture. It was soon followed by Jaws, a thriller based on American author Peter Benchley’s novel about a great white shark that terrorizes a beach community. Jaws proved a tremendous success, established Spielberg’s reputation as a director, and heralded a new era of blockbuster films with large gross revenues. Other Spielberg films of the 1970s included the science-fiction epic Close Encounters of the Third Kind (1977) and an unsuccessful historical farce, 1941 (1979).

Spielberg teamed up with writer-producer George Lucas in the 1980s to make the action-adventure Indiana Jones film series: Raiders of the Lost Ark (1981), Indiana Jones and the Temple of Doom (1984), and Indiana Jones and the Last Crusade (1989). Other directorial projects during this period included the science-fiction fantasy E.T.—The Extra-Terrestrial, at the time the highest-grossing film ever made; The Color Purple (1985), a drama based on the novel by Alice Walker; Empire of the Sun (1987), based on an autobiographical novel by J. G. Ballard about a young boy’s struggle to survive in Japanese-occupied Shanghai at the beginning of World War II (1939-1945); Always(1989), a romantic fantasy; and Hook (1991), a film based on the Peter Pan story.
In the late 1970s Spielberg began to get involved with production and screenwriting. In 1984 he established an independent production unit called Amblin Entertainment. Under this company he produced such films as Gremlins (1984), Back to the Future (1985),Young Sherlock Holmes (1985), *batteries not included (1987), Back to the Future II (1989), Arachnophobia (1990), Cape Fear (1991), and The Flintstones (1994). He also produced the animated features An American Tail (1986), Who Framed Roger Rabbit (1988), An American Tail: Fievel Goes West (1991), and We're Back! A Dinosaur’s Story (1993).
In 1993 Spielberg released Jurassic Park, which featured spectacular computer-created dinosaurs and became within four weeks of its release the top-grossing motion picture to that time. Later that year Schindler’s List, a powerful black-and-white epic about loss and survival during the Holocaust, earned critical acclaim for Spielberg and won Academy Awards for best director and best picture. It was Spielberg’s first Academy Award for best director, although the Academy of Motion Picture Arts and Sciences had honored him with the Irving Thalberg Award in 1987.
In 1994, along with powerful Hollywood figures Jeffrey Katzenberg and David Geffen, Spielberg started a new movie studio, DreamWorks SKG, to produce his films. The first of these,Amistad (1997), was based on the true story of a revolt by a group of slaves while en route from Africa to America. With it Spielberg attempted to create another socially and historically conscious film in the same vein as Schindler’s List. Speilberg’s World War II film Saving Private Ryan (1998) featured a stunning opening sequence that graphically depicted the full horror of war as experienced by American troops during the D-Day invasion. It starred Tom Hanks as an Army officer leading a mission to locate the Private Ryan of the title, and it received five Academy Awards, including one for Spielberg as best director.
Spielberg followed this success with two science-fiction films: He wrote and directed Artificial Intelligence: AI (2001), a project originally conceived by Stanley Kubrick, based on the Brian Aldiss story “Supertoys Last All Summer Long.” Minority Report (2002), a thriller, impressed critics with its vision of a dystopian society where civil liberties have been eroded in the interests of law and order. The film, based on a short story by Philip K. Dick, stars Tom Cruise as a Washington, D.C., cop and depicts a future where police have the foreknowledge and power to arrest murderers before a crime has been committed. In 2002 Spielberg also directedCatch Me If You Can (2002), based on the true story of a charming young con artist.
Spielberg again directed Tom Hanks in The Terminal (2004), a film about an Eastern European man who is stranded in a United States airport after a political coup in his own country deprives him of his nationality. Spielberg returned to the science-fiction genre with War of the Worlds, a film version of the H. G. Wells novel that stars Tom Cruise. Munich (2005) is Spielberg’s film dramatization of Israel’s deadly response to the massacre of 11 Israeli athletes at the 1972 Olympic Games by the Black September terrorist group.

Tuesday, April 26, 2011

Al Pacino the Actor


Al  Pacino, born in 1940, American motion-picture and stage actor, best known for his work in Hollywood gangster films. He is distinguished by his willingness to appear in risky productions and unusual roles.
Born Alfredo Pacino in New York City, he dropped out of Manhattan's High School for Performing Arts at the age of 17. He continued his acting studies, however, first at the Herbert Berghof Studio and later at Actors Studio (headed by American director and actor Lee Strasberg), while working at various jobs and appearing in off-Broadway productions (seeBroadway). Dark, wiry, and passionate, Pacino was ideally suited for the gritty urban stage dramas popular in the 1960s. He won an Obie Award (presented for off-Broadway theater work) in 1968 for his role as a psychotic alcoholic in The Indian Wants the Bronx, and he won a Tony Award in 1969 for his performance as a drug addict in Does a Tiger Wear a Necktie? He again played an addict in his first important motion-picture role, the victimized antihero of The Panic in Needle Park (1971).
For his portrayal of the ambivalent heir to a Mafia dynasty in the gangster epic The Godfather(1972), written and directed by American filmmaker Francis Ford Coppola, Pacino received an Academy Award nomination for best supporting actor. (He reprised the role in two sequels,The Godfather Part II, in 1974, and The Godfather Part III, in 1990.) The tremendous success of  The Godfather made Pacino a star, but he refused to play roles traditionally given to leading male Hollywood actors. He played a gentle, doomed drifter in Scarecrow (1973); a homosexual bank robber in the tense political melodrama Dog Day Afternoon (1975), by American director Sidney Lumet; and a police detective in the controversial tale of homosexual life Cruising (1980).
After a string of motion pictures that did not achieve great commercial success, Pacino returned to acting in the theater, winning a second Tony Award in 1977 for The Basic Training of Pavlo Hummel. His movie career revived with the success of Sea of Love (1989), and he won an Academy Award for his performance as a suicidal, blind war veteran in Scent of a Woman (1992). In 1996 Pacino made his directorial debut with Looking for Richard, a film about actors preparing to stage a production of the play Richard III by English dramatist William Shakespeare. The following year Pacino played the Devil disguised as a lawyer in The Devil’s Advocate.

Wednesday, July 29, 2009

Salma hayek Desktop Postaer





Salma hayek Profile
This section contains Profile of the world famous movie actress and celebrity Salma Hayek 
Name : Salma Hayek 
Birth Name : Salma Valgarma Hayek-Jimenez 
Birth Date : September 2, 1966 
Birth Place : Coatzacoalcos, Veracruz, Mexico 
Sex : Female 
Nationality : Mexican 
Height : 5' 2" (1.57 m) 
Weight : 115 lbs 
Measurements : 36C-25-37 
Hair Color : Black 
Eye Color : Dark Brown 
Zodiac Sign : Virgo 

Salma Hayek





Tuesday, July 21, 2009

Lyrics 10 of Michael Jackson

Blood on the Dance Floor
==========================
"Blood On The Dance Floor" Written and Composed by Michael Jackson, & Teddy Riley.

She got your number
She know your game
She put you under
It's so insane

Since you seduced her
How does it feel
To know that woman
Is out to kill

Every night stance is like takin' a chance
It's not about love and romance
And now you're gonna get it

Every hot man is out takin' a chance
It's not about love and romance
And now you do regret it

To escape the world I've got to enjoy that simple dance
And it seemed that everything was on my side
(Blood on my side)

She seemed sincere like it was love and true romance
And now she's out to get me
And I just can't take it
Just can't break it

Susie got your number
And Susie ain't your friend
Look who took you under
With seven inches in
Blood is on the dance floor
Blood is on the knife
Susie's got your number
And Susie says its right

She got your number
How does it feel
To know this stranger
Is out to kill

She got your baby
It happened fast
If you could only
Erase the past

Every night stance is like takin a chances
It's not about love and romance
And now you're gonna get it

Every hot man is out takin' a chance
It's not about love and romance
And now you do regret it

To escape the world I got to enjoy this simple dance
And it seemed that everything was on my side
(Blood on my side)

It seemed sincere like it was love and true romance
And now she's out to get me
And I just can't take it
Just can't break it

Susie got your number
And Susie ain't your friend
Look who took you under
With seven inches in
Blood is on the dance floor
Blood is on the knife
Susie got your number
You know Susie says its right

Susie's got your number
Susie ain't your friend
Look who took you under
She put seven inches in
Blood is on the dance floor
Blood is on the knife
Susie's got your number
Susie says its right

It was blood on the dance floor
(blood on the dance floor)
It was blood on the dance floor
(blood on the dance floor)
It was blood on the dance floor
(blood on the dance floor)
It was blood on the dance floor
(blood on the dance floor)

And I just can't take it
The girl won't break it
Ooo. 
=======================================
"Morphine" Featuring Brad Buxer, Bill Bottrell, & Jon Mooney. Written and Composed by Michael Jackson.

He got flat baby
Kick in the back baby
A heart attack baby
I need your body

A hot kiss honey
He's just a bitch baby
You make me sick baby
So unrelying

I'm such a swine baby
All down the line daddy
I hate your kind baby
So unreliable

A hot buzz baby
He's one of us baby
Another drug baby
You so desire

Trust in me
Trust in me
Put all your trust in me
You're doin' morphine

Hoo!

They got place baby
Kicked in the face baby
You hate your race baby
You're just a liar

Your every lick baby
Your dog's a bitch baby
You make me sick baby
You soul survivor

She never cut from me
She never cut baby
I had to work baby
You just a rival

Always to please daddy
Right up and leave daddy
You're throwing shame daddy
So undesirable

Trust in me
Just in me
Put all your trust in me
You're doin' morphine

Go'on babe

Relax
This won't hurt you
Before I put it in
Close your eyes and count to ten

Don't cry
I won't convert you
There's no need to dismay
Close your eyes and drift away

Demerol
Demerol
Oh God he's taking Demerol

Demerol
Demerol
Oh God he's taking Demerol

He's tried
Hard to convince her
To be over what he had
Today he wants it twice as bad

Don't cry
I won't resent you
Yesterday you had his trust
Today he's taking twice as much

Demerol
Demerol
Oh God he's taking Demerol

Hee-hee-hee

Demerol
Demerol
Oh my Oh God it's Demerol

Hee

Oooh

Oh!

He got shit baby
Your dog's a bitch baby
You make me sick baby
You are a liar

Is truth a game daddy
To win the fame baby
It's all the same baby
You're so reliable

Trust in me
Trust in me
Put all your trust in me
She's doin' morphine

Hoo!

You just sit around just talkin' nothing
You're takin' morphine

Hoo!

Go'on baby

You just sit around just talking about it
You're takin' morphine

Hoo-hoo!

Just sit around just talking nothing about it
You're takin' morphine

You just sit around just talking about it
You're taking morphine

You just sit around just talkin' nothin'
And takin' morphine

Hoo-hoo

I'm going down baby
You're talkin' Morphine

Go'on baby!

Hoo!

Hoo!

Morphine!

Do it!

Hoo!

He's takin' morphine

Morphine!

Morphine! 

Lyrics 9 of Michael Jackson

" Trouble".

I don't wanna move when I'm in her hands
There's nothing I can do or say
Put everything on hold, cancelled all my plans
Tell everybody I'm away..hey

She may be bad but she feels so good
I'll give her anything she wants

She's trouble I know it
She only needs to touch me
I'm in trouble, I know it
She's trouble, I love it
I know that when she does it
I'm in trouble, I know it

I never know what's runnin through her mind
No tellin what she's gonna do
Her every move is like a danger sign
Darin me to come on through...hey

She may be bad but she feels so good
I'll give her anything she wants

She's trouble I know it
She only needs to touch me
I'm in trouble, I know it
She's trouble, I love it
I know that when she does it
I'm in trouble, I know it

She's trouble
She knows what I like
I got a feelin Im fallin
(You're in trouble)
Trouble, there's no hope in sight
I'm in way over my head

She's trouble I know it
She only needs to touch me
I'm in trouble, I know it
She's trouble, I love it
I know that when she does it
I'm in trouble, I know it

I know it
I know it
I know it 
==============================
" Whatzupwitu".

Written and composed by E. Murphy and T. Gumbs.

(a duet with with Eddie Murphy)

Sun is gonna shine
Flowers gonna grow
Clouds'll sprinkle showers
Rivers gonna flow

Man ain't got the power
To kill nothing but himself
Man is a creation
Man is nothing else

Whatzup, whatzup, whatzupwitu
Whatzup, whatzup, whatzupwitu

Always is the mountain
Always is the tree's
Always is the ocean
Always is the sea's

We can't stop this world
'Cause it's not
Our world we can just jack
Each other up

Heavenly been mighty patient
He got your number peeped
Your disease
He knows your falling,
Your falling, your falling,
Man is a creation
Man is nothing else

Whatzup, whatzup, whatzupwitu
Whatzup, whatzup, whatzupwitu

(Repeat and fade out) 

Lyrics 8 of Michael Jackson

"Xscape Written and composed by Michael Jackson. An unreleased song produced around the end of 2002.

[ Prison guard]
Open up, 6
He's gone!

[ Michael]
Everywhere I turn, no matter where I look
The systems in control, it's all ran by the book
I've got to get away so I can clear my mind,
Xscape is what I need,
Away from electric eyes

No matter where I am, I see my face around
They then ask on my name, and push from town to town
Don't have a place to run, but there's no need to hide,
I've got to, find a place,
So I won't hide away


Xscape, got to get away from a system lose in the world today
Xscape, the pressure that I face from relationships that's gone away
Xscape, the man with the pen that writes the lies that hassle this man
Xscape, I do what I wanna cause I gotta face nobody but me

[Girl]
Sometimes I feel like
I've gotta get away


I tried to share my life with someone I could love
But games and money is all she ever thought of
How could that be my fault when she gambled and lost?
I'm tired of silly games,
It's time to make a change

Why is it I can't do whatever I want to? (oh)
Went in my personal life and I don't live for you (you)
So don't you try to tell me what is right for me
You be concerned about you,
I can do what I want to


Xscape, (hoo-hoo) (oh, no) got to get away from a system lose in the world today (I've got to get away)
Xscape, the pressure that I face from relationships that's gone away (don't you know I need it?)
Xscape, the man with the pen that writes the lies that hassle this man (I've got to get away)
Xscape, I do what I wanna cause I gotta face nobody but me (get away)

Xscape, (don't you try it) got to get away from a system lose in the world today
Xscape, the pressure that I face from relationships that's gone away (pressure that I'm facing every day)
Xscape, (hoo-hoo) the man with the pen that writes the lies that hassle this man (come on, now)
Xscape, (come on, now) I do what I wanna cause I gotta face nobody but me (hoo-hoo)


When I go, (oh, go) this problem world won't bother me no more
(This problem world won't bother me no more)
(problem world, bother me, yeah, oh, yeah, hoo)

Xscape
Xscape
Xscape
Xscape


Xscape, got to get away from a system lose in the world today (I've got find a way)
Xscape, the pressure that I face from relationships that's gone away (pressure that I'm facing)
Xscape, the man with the pen that writes the lies that hassle this man (why I wanna fly)
Xscape, I do what I wanna cause I gotta face nobody but me (I do what I wanna, hoo-hoo)

Xscape, got to get away from a system lose in the world today
Xscape, the pressure that I face from relationships that's gone away
Xscape, the man with the pen that writes the lies that hassle this man
Xscape, I do what I wanna cause I gotta face nobody but me (hoo-hoo)

Xscape, got to get away (I've got find a way)
Xscape, the pressure that I face (can't take it no more)
Xscape, the man with the pen (I can't take this no more)
Xscape, I do what I wanna cause I gotta face nobody but me
Xscape, (aow!)

Xscape, Got to get away
Xscape, The pressure that I face
Xscape, The man with the pen (get away)
Xscape, I do what I wanna
I do what I wanna cause I gotta face nobody but me (hee-hee-hee)

(Hoo)
Xscape
=============================================
"There Must Be More To Life Than This". An unreleased duet with Freddie Mercury.


There must be more to life than this
There must be more to life than this
How do we cope in a world without love
Mending all those broken hearts
And tending to those crying faces
There must be more to life than living
There must be more than meets the eye
Why should it be just a case of black or white
There must be more to life than this

Why is this world so full of hate
People dying everywhere
And we destroy what we create
People fighting for human rights
But we just go on saying c'est la vie
So this is life

There must be more to life than killing
A better way for us to survive
What good is life, if in the end we all must die
There must be more to life than this

There must be more to life than this
There must be more to life than this
I live and hope for a world filled with love
Then we can all just live in peace
There must be more to life, much more to life
There must be more to life, more to life than this.